Sunday, October 03, 2021

Let's write about Dorothy Parker

Dorothy Parker (née Rothschild; August 22, 1893 – June 7, 1967) was an American poet, writer, critic, and satirist based in New York; she was best known for her wit, wisecracks, and eye for 20th-century urban foibles.

Echo essay published in Book Riot written by Annika Barranti Klein

The Strange Posthumous Journey of Dorothy Parker's Ashes

If you had to guess, where would you say that Dorothy Parker’s ashes were? I bet you’d say the Algonquin Hotel, wouldn’t you? 

I would have guessed as much, even though I’ve been there and the plaque on the front of the building only mentions the Round Table. But the real story of Dorothy Parker’s ashes and their unexpected journey is much more interesting — and less likely to get a visit from the health department.

In the later part of her career she moved to Hollywood with second husband Alan Campbell. They co-wrote the screenplay for the 1937 A Star is Born with Robert Carson, and she worked on a number of other screenplays. She also fought fascism through World War II and the Cold War and was, of course, suspected of being a communist. When she left Hollywood following the accusation and subsequent blacklisting, she returned to New York and wrote book reviews for Esquire. She died of a heart attack on June 7, 1967, at age 73.

Dorothy Parker was born Dorothy Rothschild on August 22, 1893, in Long Branch, New Jersey, where her Manhattan-based parents summered. She spent the first part of her career in New York City, selling her first poem to Vanity Fair in 1914. She married Edwin Pond Parker II shortly before he deployed with the Army in World War I. They divorced in 1928.

Parker is probably best known as a founding member — with Robert Benchley and Robert E. Sherwood, whom she met while filling in for P.G. Wodehouse as the theater critic for Vanity Fair — of the Algonquin Round Table*, a group of literary giants that at various times included Parker, Alexander Woollcott, Harpo Marx, Noel Coward, Tallulah Bankhead, and Alice Duer Miller, among many others. During this time she had a magazine column and published poetry and short stories.

In the later part of her career, she moved to Hollywood with her second husband Alan Campbell. They co-wrote the screenplay for the 1937, A Star is Born with Robert Carson, and she worked on a number of other screenplays. She also fought fascism through World War II and the Cold War and was, of course, suspected of being a communist. When she left Hollywood following the accusation and subsequent blacklisting, she returned to New York and wrote book reviews for Esquire. She died of a heart attack on June 7, 1967, at age 73. 

That’s where things got…not necessarily weird, but unexpected.

A fervent supporter of civil rights, she left her entire estate to Martin Luther King Jr., whom she had never met. 

He was assassinated about a year later (April 4, 1968, Memphis, TN). Luckily, her will stipulated that in the event of his death, her estate would go to the National Association for the Advancement of Colored People (NAACP) in support of their work. Great, okay, but what about her…remains?

Her body was cremated in Westchester County, New York, where her ashes sat unclaimed until about six years later, when they were sent to her lawyer; he had retired, and the urn lived in his colleague Paul O’Dwyer’s office for the next 17 years. In 1987 O’Dwyer revealed the location of the urn to biographer Marion Mead. 

Thereby, the NAACP claimed responsibility for the ashes and Dorothy Parker was interred in a special memorial garden built for that purpose at NAACP headquarters in Baltimore, Maryland, in 1988.

But, in 2020 the NAACP moved their headquarters to downtown Baltimore, with a further move to Washington, D.C., planned. Parker’s living relatives requested that her remains come back to New York, where her father had reserved a spot for her at Woodlawn Cemetery in the Bronx. She was exhumed on August 18, 2020, with remarks from NAACP executives; the Kaddish was said by a rabbi in attendance. Her ashes were then brought to Woodlawn where a private burial was held on her birthday, August 22.

In August 2021, a headstone was placed, paid for with money raised by the Dorothy Parker Society through the sale of special T-shirts and gin. Kevin Fitzpatrick of the Dorothy Parker Society, who had personally transported her remains from Baltimore to Woodlawn by train, said a few words in a small ceremony attended by no fewer than two Dorothy Parker “impersonators” (I use quotes because the word seems insufficient for their devotion — both are actresses who have played Parker on stage)


The epitaph, approved by Parker’s three grandnieces, isn’t exactly Parker’s suggestion of “Excuse my dust,” but neither is it too far off. The headstone is engraved with the last four lines of her poem “Epitaph for a Darling Lady”:

Leave for her a red young rose,
Go your way, and save your pity;
She is happy, for she knows
That her dust is very pretty.

So there you have it. Dorothy Parker’s ashes — her dust, if you will — are at Woodlawn in the Bronx. And they took a very circuitous route getting there.
*Algonquin Round Table-  Graphic Dorothy Parker (left):A gathering initially as part of a practical joke, members of "The Vicious Circle", as they dubbed themselves, met for lunch each day at the Algonquin Hotel from 1919 until roughly 1929. At these luncheons, they engaged in wisecracks, wordplay, and witticisms that, through the newspaper columns of Round Table members, were disseminated across the country.

P.S. A great deal of the pre-1988, information in this article comes from Marion Mead’s biography of Parker, What Fresh Hell is This?

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Saturday, July 31, 2021

Let's Write about Little Free Diverse Libraries

Echo report published in #BookRiot, by Stacey Megally

Spontaneous, honest, and joyful expressions happen when kids recognize themselves in books.

Little Free Diverse Libraries

Like, when a girl and her mom visited a Little Free Diverse Library in Arlington, Massachusetts. If you haven’t yet encountered a Little Free Diverse Library (LFDL) in your neighborhood and are wondering what it is, it’s exactly what you think: a Little Free Library (LFL) dedicated to keeping books by BIPOC authors and about BIPOC stories in its collection.

Little Free Libraries (LFL) have been beloved by avid readers since they first started popping up more than a decade ago. We love spotting the charming, wooden boxes at parks, on walking trails, in front yards, and other places in our cities. Not only is the idea of taking and leaving books a clever way for us to celebrate our love of reading and stories, but it’s also a way to connect with others. In fact, it’s become such a significant part of many readers’ lives that we’ve accumulated a trove of posts specifically about Little Free Libraries at Book Riot.

Little Free Libraries are beloved by avid readers.

They first started popping up more than a decade ago. We love spotting the charming, wooden boxes at parks, on walking trails, in front yards, and other places in our cities. Not only is the idea of taking and leaving books a clever way for us to celebrate our love of reading and stories, but it’s also a way to connect with others. In fact, it’s become such a significant part of many readers’ lives that we’ve accumulated a trove of posts specifically about Little Free Libraries here at Book Riot.

But there are ways to improve on even the things we love most — especially when you take some time to truly examine them. When it comes to Little Free Libraries, it’s time for us to ask ourselves if we’re truly celebrating all stories and if we’re making our best effort to connect with all people. Research indicates that Little Free Libraries tend to be located in mid- to high-income neighborhoods whose residents are well-educated and overwhelmingly white.

Last spring, when lifelong book lover and New York County public school counselor Sarah Kamya strolled her predominantly white neighborhood, stopping to browse at the three Little Free Libraries she passes every day, she noticed something for the first time: a clear lack of books by BIPOC writers telling BIPOC stories. This, Kamya decided, was an issue she could do something about — and that’s when Little Free Diverse Libraries was born. Now the movement, which has spread all over the U.S. and to a handful of other countries, is rapidly growing and evolving every day.

So, how did Kamya grow Little Free Diverse Libraries into what it is today? Where does she hope to take it?

Most importantly, how can we, as readers, get involved? 

In my search for answers, I reached out to founder Sarah Kamya as well as to several LFDL distributors and owners around the country to get their insight.


How the Little Free Diverse Libraries started:

At the end of May 2020, in the aftermath of George Floyd’s death, Kamya had an idea about how to use Little Free Libraries to help educate her community about Black perspectives.

So, she began raising money to buy books by Black authors from Black-owned bookstores in order to diversify all of the LFLs in her town of Arlington, MA. She created an Instagram account (@littlefreediverselibraries) and an Amazon Wishlist and then began sending books to her friends in other cities and states, so they could diversify LFLs in their communities.

“I never expected LFDL to take off and at the speed that it did,” Kamya told me. “It felt like in one moment I was sitting at the table with my parents sharing my idea, and the next there were 500 books on my dining room table, and I was sending books to every Little Free Library in the United States.”

Because of the overwhelmingly supportive response, Kamya achieved her goal of sending diverse books to every LFL in the country, in just two months.

In fact, Little Free Libraries were diversified in all 50 states, plus several were “dedicated specifically to Black, Indigenous, and People of Color (BIPOC) voices.”

Little free diverse libraries today:

One year after Kamya started LFDL, it’s become a nonprofit organization, which she named Diverstories. “LFDL has impacted my life significantly,” Kamay told me. Not only has she had to learn to balance her full-time job as a counselor with running a nonprofit, but she can also “no longer go into bookstores without purchasing a book to put in a library” or “pass a Little Free Library and not stop to check out what books are inside.”

After working with more than 100 individuals and ten schools to add diverse literature to the Little Free Libraries, Kamya has been able to connect more deeply both within her own community and with readers all over the country, and is amazed at “how spreading diverse books through Little Free Libraries can form such deep connections, thoughtful conversations, and inspiring stories.”

One example that stands out to Kamya happened at Forest Hills High School in Queens, New York, which received a granted library from Kamya. I reached out to Lindsay Klemas (@fhhslibrary), the librarian at the school, who related her perspective on this story to me as well. Klemas held a LFDL opening ceremony to which she invited a handful of students she hadn’t seen in many months due to the pandemic. Klemas told me that one of the students she invited “had become very withdrawn” in a way that was derailing her path to graduation. “This event allowed them to get back on track and ultimately graduate.” To Sarah Kamya, that story confirms that “the Little Free Diverse Library project spans beyond what I ever imagined, and can touch people in so many ways.”

Kamya also enjoys watching everyday reactions at the LFDL at her house in Arlington. “I can look out and see when people are stopping by the library. It is always amazing to see the kids and families.” She also loves that her visitors take time to look through the books and discuss them. “They are able to teach lessons, and educate themselves right there in that moment.” Kamya told me.

Where were Little Free Diverse Libraries headed?

Now that LFDL (Diverstories) is a nonprofit organization, Kamya has plans to expand her original vision.

As a school counselor at a Title I school in New York City, Kamya understands “how important it is for students to not only see themselves in literature, but have access to quality diverse books.” So, one of the most important ways she plans to grow Diverstories is to implement Little Free Diverse Libraries inside and outside schools across the U.S. She’s planning to start in NYC, an area that, unlike many suburbs, has fewer than ten Little Free Libraries. “With more libraries,” she told me, “there is more access to literature, and one can form a greater love for reading.”

Kamya also plans to work with “community centers, organizations, hospitals, and companies, to broaden their collection of diverse literature.” Some of the ways she’d like to bring this vision to life are by distributing diverse reading material to waiting rooms and staff lounges as well as by providing suggestions for staff required reading.

As Diverstories continues to grow, Kamya would like to “curate book lists that people turn to throughout the year. I hope these book lists can inspire, educate, and celebrate diverse voices.” After all, Kamya told me, “There is always a place for diverse books.”

How you can get involved in little free diverse libraries: If you’re feeling inspired to help Kamya bring diverse stories to your community through Little Free Libraries, there are several ways you can get involved:

Support: Donate money online. Your monetary gift will help Little Free Diverse Libraries collaborate with Black-owned bookstores, install LFDL at schools, send books to distributors, and more.

Donate books through their Amazon Wishlist. Purchase from a collection of books curated by Kamya and they’ll be shipped directly to her, so she can distribute them to LFLs in Massachusetts and New York.

Give 10% of your Bookshop purchase

Diverstories has its own store set up on Bookshop.com, the online store that supports indie book sellers. All you have to do is shop the site the next time you’re picking up books for yourself, friends, family, or even your own favorite LFL, and 10% of your purchase will automatically go to Diverstories.

Become a distributor or Little Free Diverse Library owner:

If you’d like to stock LFL structures in your community or you want to build your own LFDL, you can fill out this Google form and LDFL will get in touch with you.

Create a Little Free Diverse Library in your community. 

Construct and maintain your own box with LFDL’s guidance.

Like every worthwhile project, becoming an LFDL distributor and/or owner takes passion, dedication, and flexibility to navigate the challenges you may face on your way to realizing the rewards of this important work.

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Monday, March 01, 2021

Let's give paperback books credit where credit is due!

Ode to the paperback book, essay by Katie Moench published in Book Riot news:  "....to me, they feel more personal!".....(Agree!)

Let's write about paperback books!
If you browse Bookstagram or book review blogs, you’re likely to see a parade of brand new hardcovers, posed for photos. Hardcovers are the representation of new releases, complete with artful dust jackets and stiff spines, and seem to be particularly appealing to those who show off their book collections online or who like to collect books as part of a set. However, I’m here today to sing the praises of the humble, often backlist, paperback. From new releases to mass market products, these are the types of books I remember first picking up as a kid. I’ve rounded up some reasons why you are encouraged to embrace the paperback book.

They're cheap compared to hard cover and real cheap when purchased as "used".
 
(Maine Writer - IMO, some paperback books might even become as collectible as old comic books! )

While I’m all about supporting authors, there are only so many new release hardcovers I can justify buying each month before my budget begs me to take a break. 

Moreover, paperbacks are a great way to snap up titles, especially backlist ones, that you want to own rather than borrow. Paperbacks also feel like less of a purchasing commitment, both because they cost less but also because there’s something about buying a hardcover version that implies a Very Serious Intention for reading this book. If you’re like me and the idea of book commitment scares you, paperbacks feel like more of a whim which, paradoxically, makes me more likely to read them.

Maximize your book buying dollars by finding and buying used paperbacks.  They can usually be purchased for $5 or less, especially at book fairs and flea markets.

Okay, so you can definitely find plenty of used hardcover books as well. But, it's easier to stock up on a series or take a chance on a new author when you can buy used paperbacks. Plus, in my experience, people are more likely to be willing to part with paperbacks, which means that they tend to show up at donation shops and Little Free Libraries, more often. If you’re someone who likes to plan out your new release hardcover purchases by month, quarter, or year, paperbacks (particularly used ones) can give you more wiggle room in your budget and access to more backlist titles.
THEY BRING ME BACK TO WHAT FIRST MADE ME LOVE READING

One of my most treasured, bookish memories is the used Baby-Sitters Club paperbacks stashed on the bottom of a bookshelf at a local bookstore. If my memory is correct, they were each being sold for a dollar, and every bookstore trip, I would carefully read the summaries on the back covers, selecting a few I hadn’t read yet to bring home. While a lot of critically acclaimed literature debuts in hardcover, so many of us can probably trace early book love back to a series that was published in the kind of cheap, paperback binding designed to appeal to kids. It wasn’t just about the plot or characters of these books, but the ability they gave me to consume books at a speed that was, quite frankly, frightening. This reading rate helped me conceive of myself as a reader, and working my way through a paperback series as an adult helps bring me back to that feeling.

Of course, the key is to read what you love in the format - paperback, hard cover, electronic, audio....that works for you. But there’s something so special about the physical experience of a paperback book; to me, they feel more personal and show the impact of the hands of the readers that have held them. Carting around a paperback (or three) helps reassure me that I always have a book to tuck into, and having them on my shelves, even if only for a brief time, reminds me of how much joy I find in reading.

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Thursday, November 05, 2020

Let's write about famous literary places like.... New Orleans!

Published in "Book Riot".

This is an interesting article about books that have helped to define the literary culture in New Orleans, Louisiana.  Title, Literary Tourism, by Hope Corrigan.

During autumn in New Orleans, the nip in the air makes the chicory coffee more comforting and the shadows of the French Quarter a bit more magical. 

One-hundred-year-old oak trees line the streetcar routes that run along the Mississippi River, towering Victorian homes along St. Charles Avenue twinkle at dusk, and after a couple Sazeracs, the soulful rhythm of the Crescent City sets even the most uptight visitors at ease.

Beyond the revelry of Mardi Gras and the debauchery of Bourbon Street is a city brimming with literary history. From William Faulkner to John Grisham, New Orleans is home to writers, readers, and fictional characters that span genres and generations.

New Orleans Literary Locations

Much of New Orleans’ rich history—including architecture, restaurants, and customs—involves literature and writers, both fictional and real. However, many of the literary locations in New Orleans are associated with white writers, a stark contrast to the racial demographic of the city and the long-lasting influence of Black poets, writers, artists, and musicians on the city.

The Pontchartrain HotelAlong oak-lined St. Charles Ave. is the Pontchartrain Hotel, a historic establishment in the Garden District. The open-air rooftop bar of the hotel is called Hot Tin, named after Tennessee Williams’s three-act play Cat on A Hot Tin Roof. The outdoor area has panoramic views of downtown New Orleans and St. Charles Avenue and bookish cocktails such as the gin-based This Side of Paradise and The Jack Rose, a popular drink in the 1920s and 1930s that appeared in Hemingway’s The Sun Also Rises.
 
The Ignatius J. Reilly Statue-  Ignatius J. Reilly, the protagonist of John Kennedy Toole’s novel A Confederacy of Dunces, stands in all his disheveled glory on Canal Street in New Orleans. Toole’s book was published 11 years after his suicide after his mother pushed for its release; Toole was posthumously awarded a Pulitzer Prize for fiction in 1981. The Confederacy of Dunces is often regarded as having one of the best depictions of New Orleans, including local dialects, in modern literature.  This New Orleans statue of a portly figure in a goofy hat pays homage to a classic of satirical literature. 

Hotel MonteleoneSince 1886, Hotel Monteleone has stood at 214 Royal Street, home to the famous revolving Carousel Bar and Lounge. In the hotel’s 134 year lifespan, literary icons such as Ernest Hemingway, Sherwood Anderson, William Faulkner, and Truman Capote, who often told the press he was born inside the Hotel Monteleone, made the hotel their home when staying in New Orleans. The hotel is featured in Eudora Welty’s short story The Purple Hat, and Tennessee Williams’s play The Rose Tattoo. Contemporary writers such as Anne Rice, John Grisham, and Stephen Ambrose have all frequented the hotel. (In fact, 214 Royal Street was the address of the main character in the first of Anne Rice’s Gothic fantasy trilogy, The Witching Hour.) 

Hotel Monteleone was designated as an official literary landmark by Friends of the Library Association in 1999, and today, guests can choose to stay in “Literary Suites” named after famous former guests.


Gallier House
A National Historic Landmark designed by famed architect, James Gallier, Jr.   Autumn is the best season to read Anne Rice’s Interview With The Vampire (then watch the movie version starring Tom Cruise and Brad Pitt). The 19th century Gallier House at 1132 Royal Street supposedly served as the model for the home of vampires Lestat and Louis in Interview With The Vampire. Today, the house is a museum dedicated to the famous New Orleans architect James Gallier Jr. Fans of Anne Rice can also view her former Garden District home at 3711 St. Charles Ave.
Admission to Hermann-Grima + Gallier Historic Houses may be purchased online. (Check website for opening due to COVID pandemic.)

The Many Homes or Tennessee Williams

The famed American playwright Tennessee Williams originally moved to New Orleans to write under a stipend from the Works Progress Administration. In the years that followed, Williams would move often in the French Quarter and neighboring areas. One of his early homes at 722 Toulouse Street was the setting for his 1977, play Vieux Carré. Williams lived at 632 1/2 St. Peter Street when he wrote the first half of A Streetcar Named Desire, which is set in New Orleans. (You can still ride on the streetcars in New Orleans, though the namesake Desire line is no longer operational.) Most of Williams’s writing was done at 727 Toulouse Street in a patio room, and over the years he stayed in several New Orleans hotels including The Pontchartrain Hotel, Hotel Monteleone, and the Royal Orleans Hotel. 

New Orleans in Literature

Streetcars, cafes, haunted hotels, and Southern food: few places provide such a colorful background for novels as New Orleans.

DINNER AT ANTOINE’S by Frances Parkinson Keyes 

Antoine’s has been a mainstay of the New Orleans culinary world for 180 years. Frances Parkinson Keyes wrote her murder mystery Dinner at Antoine’s in 1947, followed by Crescent Carnival in 1952. Dinner at Antoine’s follows the suspicious suicide of a young girl Odile Laland, who, 30 hours prior to her death, was dining at Antoine’s. Much of the story involves New Orleans history, culture, and customs. Visit Antoine’s today for the classic Louisiana fare and 25¢ lunchtime martinis.


THE VANISHING HALF by Britt Bennett: Spanning several cities and eras in American history, The Vanishing Half tells the story of identical twins Stella and Desiree Vignes. After witnessing their father’s murder, the twins flee to New Orleans. The story takes readers from New Orleans in the 1950s, to Los Angeles, Washington, D.C., and Mallard, a fictional small town in southern Louisiana. The bestseller explores colorism and the weaponization of whiteness while intertwining an emotional story of family secrets and identity.

A GOOD SCENT FROM A STRANGE MOUNTAIN By Robert Olen Butler:  New Orleans has one of the largest Vietnamese populations in the U.S. In 1975, thousands of Vietnamese refugees fled south Vietnam and settled in Versailles, an area in east New Orleans that has since been associated with Vietnamese American citizens. Robert Olen Butler’s, A Good Scent From a Strange Mountain is a Pulitzer Prize winning collection of short stories narrated by Vietnamese immigrants as they adapt to life in New Orleans and the United States as a whole, highlighting an often overlooked demographic of New Orleans locals.

The Pelican Brief  by John Grisham: A
 1992 legal thriller The Pelican Brief, moves between Washington, D.C., and New Orleans. With all the makings of a Grisham blockbuster—assassinations, the Supreme Court, ambitious reporters—The Pelican Brief is a perfect airplane read for visitors en route to New Orleans. Catch the film version of Grisham’s The Runaway Jury starring John Cusack and Rachel Weisz, for scenes shot entirely in New Orleans.

A KIND OF FREEDOM by Margaret Wilkerson Sexton: Set in New Orleans after World War II, in the 1980s, and following Hurricane Katrina, A Kind Of Freedom is a powerful commentary on past and present Jim Crow and racial disparity in the South. The story follows Evelyn, her daughter Jackie, and Jackie’s son T.C. as they navigate life over the past decade, weaving their story into the backdrop of an ever-changing New Orleans. Sexton’s other novel, The Revisioners, is also set in New Orleans. 

THE AWAKENING by Kate Chopin: First published in 1899, The Awakening is set in New Orleans and on the Gulf Coast, specifically Grand Isle, Louisiana, a popular vacation spot for residents from the city. Chopin’s novel offers a compelling challenge to gender norms of the time—the protagonist Edna Pontellier finds herself pursuing independence, openness, and eventually, solitude. The book celebrates emotional, sexual, and physical separation from stifling spousal ties and conventional expectations of women of the time.

THE FEAST OF ALL SAINTS by Anne Rice:  Following the success of Interview with the Vampire, Anne Rice’s The Feast Of All Saints follows gens de couleur libres, or free people of color in New Orleans right before the Civil War. The novel intertwines four people in a world of slavery, oppression, and a social subordination that reflected the racial injustices of the early 19th century.

New Orleans Bookstores:  A stop over to these classic New Orleans bookstores means visitors will never be without a book in hand. 

Faulkner House Books:  In 1925, William Faulkner lived in the very building that is today’s Faulkner House Books, a bookstore dedicated to new and used books and rare editions including those of Faulkner himself with a focus on Southern literature. The bookstore is located in an alley behind Jackson Square in the French Quarter, a stone’s throw from Cafe Du Monde and the supposedly haunted St. Louis Cathedral.  Check the Faulkner House Instagram here.

Tubby and Coo’s, the self-proclaimed “nerd mecca” of New Orleans, is an LGBTQ-owned store specializing in science fiction, fantasy, queer literature, graphic novels, children’s books, and board games. A huge plus: they have anti-racist action plan and participate in partnerships with local schools to coordinate author visits.

Community Book Center: Located in the Seventh Ward, Community Book Center is a bookstore stocked with primarily African-inspired literature, gifts, clothes, and art. The space more than a bookstore—it’s also used for performances, community gatherings, and book signings.

Beckham's Book Shop: The owners of Beckham’s Bookshop have operated this bookstore in the French Quarter since 1967. The bookstore’s floor-to-ceiling shelves stock thousands of second-hand books with a focus on New Orleans and Louisiana history. They also allow dogs and beer inside—nothing better than drunk book shopping with a Good Boy in tow.

For more literary landmarks in New Orleans, check out A Booklover’s Guide to New Orleans by Susan Larson.

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