Let's write about science fiction as prophesy

Jules Verne (1828-1905) was a French author best known for his tales of adventure, including Twenty Thousand Leagues under the Sea, Journey to the Center of the Earth, and Around the World in Eighty Days. A true visionary, Verne foresaw the skyscraper, the submarine, and the airplane, among many other inventions, and is now regarded as one of the fathers of science fiction.

Born: August 22, 1920 and died June 5, 2012 in Los Angeles, California. He is the author of The Martian Chronicles (1950), an account of man's colonization of Mars, and the book established Bradbury's reputation as an author of quality science fiction.

Read more: https://www.notablebiographies.com/Be-Br/Bradbury-Ray.html#ixzz7Jl2rCoNL

Let's add Ray Bradbury to the short list of sci-fi prophets. Although he is certainly included in the list of popular Science Fiction authors, his novel Fahrenheit 451 tops the list for being the most prophetic in the genre, in my opinion. 

Margaret Atwood: is the author of The Handmaid's Tale

Canadian writer Margaret Atwood celebrated Bradbury's gift of prophesy in her essay published in the 60th anniversary edition of Fahrenheit 451.

Atwood is a Canadian novelist and poet whose international honors include a wide range of American, British and European literary awards and award nominations. The Handmaid's Tale along with other Atwood novels are often regarded as science fiction, but she considers them speculative works, or at most, earthbound sociological science fiction, firmly grounded in projections of today's reality.  In other words "prophesy". 

She calls Bradbury's book Fahrenheit 451 "earthbound sociological science fiction".  In her opinion, the novel projects elements of the present into an all-too-possible future and this visionary expose is the reason why the  novel has endured.  (In other words, "prophesy".)

This is what Margaret Atwood wrote in tribute to Ray Bradbury and Fahrenheit 451:

As a young teenager, I devoured Ray Bradbury's Fahrenheit 451, by flashlight.  It gave me nightmares.  In the early 1950's, television was just rolling forth, and people sat mesmerized in front of their flickering sets, eating their dinners of of TV trays.  Surely, it was said, "the family" was doomed, since the traditional dinner time was obsolete. Films and books too were about to fall victim ot the new all-consuming medium.  My own parents refused to get a TV, so I had to sneak over to friends' houses to gape at The Ed Sullivan Show.

But, when not doing that, I fed my reading addiction , whenever, however, whatever. Hence, Fahrenheit 451.  In this riveting book, books themselves are condemned- all books included.  The very act of reading is considered detrimental to social order, because it causes people to think, and then, to distrust authorities.  Instead of books, the public is offered conformity via four-wall TV, with the sound piped directly into their heads via shell-shaped earbuds (a brilliant proleptic leap on the part of Bradbury.  In other words "prophesy".)

In the plot, the main character is Montag, who is called "Fireman".  Because, his job is to burn each and every book uncovered by the state's spies and informers. Nevertheless, little by little, Montag gets converted to reading and he finally joins the underground: a dedicated band of individuals sworn to preserve world literature by becoming the living repositories of the books they have memorized.

Fahrenheit 451 predated theories about how media, and social media, shape people, not just the reverse. We interact with our creations and they themselves act upon us. Now that we're in the midst of a new wave of innovative media technologies, it's time to reread this Bradbury classic, which poses the eternal question about who and what do we want to be?

In Fahrenheit 451, books were banned in an attempt to keep society happy, or so they were told, believing that if people did not have to form opinions for themselves, there would be less conflict, and society would be happier. ... While this book is fictional, book burning and banning is not fictional activity.

Let's write about "Your Book"

I love this echo blog published on National Public Radio, in a podcast by Peter Mayer. 

It's kind of a truism that everyone has a book in them, right? 

We all have some kind of story to tell. But it's equally true that a lot of us have those crummy little inner voices telling us it's never gonna happen. That we're not Real Writers. That no one cares what we have to say, or that we could never write an entire book. (Or, y'know, that we've only ever written fanfiction.)

Petra Mayer decided to talk to some people who've both been there and done that, about how to shut those little voices up and get started on your book. Because while talking to people for this story, she found out that all you have to do to be a Real Writer is ... to write.

That's all. Just write. So here are six tips that'll help you set pen to paper (or finger to keyboard) and get going on your book.

1. Carve out some time to write, and then start writing.

Now, I bet a lot of you out there have said to yourselves, I'm gonna write my book someday.

"And someday tends not to happen in life," says Grant Faulkner. 

Faulkner is the executive director of NaNoWriMo. "And so you have to create the conditions to write."

I'm also betting most of you don't have, y'know, a perfect sunny nook where you can settle in with a cup of coffee, your favorite pen and your lucky troll doll and spend a few hours cranking out a chapter of the next great American novel. But what almost everyone has is what Faulkner calls "time confetti."

Time confetti is those little absent-minded moments, the little blanks in your day when you're not doing anything. If you use that time to write, "you can actually get a lot done," Faulkner says. He also, of course, recommends that you sign up for NaNoWriMo.

"One of the things that makes NaNoWriMo so successful for people in general is that we lower the bar of writing. 

So many people operate with a sense of perfectionism, and they let their inner editor get in the way of their words on the page. And NaNoWriMo is all about setting a goal and a deadline ... And that helps open the gates to your creativity, and lets you get the words out without trying to make them all perfect."

One way to do that? Try a word sprint. You get a prompt, and that prompt could be anything — a favorite family picture, a phrase, even just a single word. NaNoWriMo actually has a Twitter account devoted to word sprints that offers prompts like "something unreal" or "waited too long." And then, you just write — for five, 10, 15 minutes, you banish that inner editor, keep your hands on the keys or your pen on the page and let the words come.

Elizabeth Acevedo is one of the writers who found inspiration in NaNoWriMo — you might know her name; she won the National Book Award in 2018, for her young adult novel in verse The Poet X, and her new book is Clap When You Land.

She says she'll sit down at her computer, set a timer, and "for this hour you're just writing, so it's almost like a sprint." Then she might get up and take a walk, have a snack, sit back down and see how far she can get in another 30 minutes or so. "Here I am, I have to just get through this and it doesn't matter if it's good or not," she says. "I don't revise as I'm writing and I don't go back and reread pages. I kind of just plow ahead."

Just plow ahead. Words of wisdom!

2. Know that there's not one "right" way to write your book.

How do I plow ahead? In which direction should I point this metaphorical plow? Should I have every plot point mapped out? Should I know every nuance of every character? Should I know how it's all going to work? 

Spoiler alert: No.

Grant Faulkner says some NaNoWriMo participants are planners. "They'll meticulously outline their novels ahead of time. And other people are pantsers. They just jump in and wing it. We also have a term that is very unique to NaNoWriMo, plantsers, and those are people who are in-between planning and pantsing."

But here's the thing — are you a planner? Are you a pantser? Are you somewhere in between? Who knows! Certainly, you don't have to know when you're starting out. Just try something and see what works for you.

But no matter how you go about it, says Acevedo, creating isn't easy. Maybe you missed your goal yesterday, and you've got double the work today. "And those days suck," she says. "But also, I think it's important to recognize that sometimes, like — you can't ghost your characters. You have to show up for them, or they won't show up for you."

That's it. Show up for your characters. Doesn't matter how you do it, as long as you do it. 

3. Find your people.  No matter how romantic it seems, you're not up in the garret by candlelight, scribbling away, alone in your genius. I mean, maybe you are — but in that case, maybe you're already beyond what we're trying to do here.

Kat Chow wrote a memoir about grief and identity called Seeing Ghosts. She says it was a hard book to write. "It's nonfiction. But it's also about my family. It's about grief. But sometimes there are just so many distractions."

And when she was really stuck, if walking the dog or organizing the closet didn't help, Chow says she'd call up a friend with a different way of thinking. "Or I would talk to another friend who's writing a book. And it would kind of help me reset, or have to think through the issue with my book."

You don't just have to stick to your friends. Chow recommends that you reach out to other writers, "whether they're potential friends or people whose work you admire, and try and form your own community so that you can have a writers group of people who can kind of talk through any issues that you're having with your book."

One way to find those people? Chow says that if she's just read something really great, she'll flip to the acknowledgements. "And I just love reading who these writers are thanking, because oftentimes it's really thoughtful people, or it's books that have inspired them, or helped them be better writers, or fellowships or writing centers that have provided support."

NaNoWriMo is also a good place to start looking for a community — they have a lot of local groups that meet every month. Or check with your local library to see what kind of writing events they host.

4. Read, read, and then read some more.  In fact, reading helps you to figure out what you like, and it helps you refine your own voice on the page. (Maine Writer- Check out Steven King on Twitter. He is a wonderful example for how to continue to read what other people write and he compliments those who he names in some of his helpful "Tweets".)

But some new writers will say something like, "I don't want to read other writers, because what if it influences me?"

"Influence doesn't mean that you're a copier," says K. Tempest Bradford. She's a sci-fi and fantasy author, and a writing teacher. "Influence doesn't mean that you're not you, you're not uniquely you — no matter what you do, you're always influenced by something, right? Because that's how culture works."

Your voice is always your own, because it's coming from you. But reading good writers can help you make your own voice better.

5. You will screw up, so learn to take criticism gracefully. 

Beyond just keeping you on your deadlines, having a writing group or an accountability partner is helpful in another really important way — they can provide perspectives that aren't your own, and tell you when you've gotten something wrong.

And you will get something wrong, because you are a squishy human being and not a perfect, novel-producing artificial intelligence. Maybe your prose is clunky, maybe your character depictions are kinda' cardboard, or stereotypical, even a little bit racist, and you didn't do the work to make them real people.

Which is something to think about, especially now.

The publishing industry has always had a serious diversity problem — but things have really been blowing up recently over issues of cultural appropriation, of white writers profiting off the stories of other cultures.

And that leads to the huffy, bordering-on-bad-faith flounce that you see in some corners of social media: Well I'm white, so I guess I can't write about anything.

"It's not that people are going to yell at you or be mad if you write characters who are outside of your culture, outside of your race or other major identity trait," says K. Tempest Bradford. "What people yell about and what starts causing fights is when writers do it badly."

Bradford teaches workshops through Writing the Other, aimed at helping people not do it badly. The first thing to do, she says, is ask yourself why you want to include a particular character in this story. Is it because you want more representation? That's fine. "But sometimes the impetus is, 'I want to have this character of color because I heard that they're trendy.' And that's ... let's not do that."

(Maine Writer- In my experience, this comment is very important!)
It's not that you should never write outside your own experience, Bradford says — but you should know why you're doing it. And you should make sure people from whatever group you're writing about have had a chance to tell their own stories for themselves before you jump in.

And once you've written something, she says, "get some sensitivity readers and some other people who are from that group to talk to you about it." Writing the other is a collaborative process, Bradford says — it involves research, discussion, bringing other people into your work. And despite all that, you might still get something wrong. We all make mistakes.

So, learning to accept criticism with grace and humility — whether it's from your writing group or, god forbid, angry folks on Twitter — is an important part of the writing life, and one people don't often think about.

6. Believe that you are a Real Writer. Going back to something written about earlier — that dumb, depressing and persistent thought: I could never write a whole book. I can't crank out 2,000 words a day. I'm not a Real Writer. 

"I think that someone who's storytelling from a place of urgency and is attempting an original way of documenting the human experience, I think that's a writer," says Elizabeth Acevedo.

"If you write, you're a real writer," says Grant Faulkner. "And I think you need to embrace the term 'being a real writer,' and call yourself a real writer, and believe in that, because that will give you power on the page."

Still don't believe me?

"Anytime some guy's like, well, you're not a real writer unless you [do] X, I'm going to say that they're full of hooey," says Tempest Bradford. "Unless they're saying, well, you're not a real writer unless you write."

Whether it's poetry, fanfiction, letters to yourself, even a description of two squirrels fighting in the yard — if you write, if you tell a story, you are a Real Writer. That's all you gotta' do. Just write. And you'll find yourself, little by little, writing your book.