Classic social justice literature relevant in the era of Black Lives Matter

Although the book Black Like Me was published in 1961, the theme is as relevant today as when it was written during the height of the Civil Rights Movement.

Let's write about and discuss how to overcome discrimination, especially as we experience Black Lives Matter awareness.

I read this book "Black Like Me" in college sociology class so I was pleased to see this essay echo by Kevin Spinale, published in America Magazine as recommended reading for Roman Catholic bookclubs. 

How else except by becoming a Negro could a white man hope to learn the truth? Though we lived side by side throughout the South, communication between the two races had simply ceased to exist. Neither really knew what went on with those of the other race. The Southern Negro will not tell the white man the truth. He long ago learned that if he speaks a truth unpleasing to the white, the white will make life miserable for him.

Griffin will soon learn that not only would life be made miserable for Black people who challenged the reality of Jim Crow in the South, they would feel the full force of state-sponsored violence leveled against them and their communities. As our country knows well now, such violence persists to the present day.

After he had walked along a highway from Biloxi heading toward Mobile for many hours on Nov. 20, 1959, a series of white Mississippian drivers, without any initial menace, willingly transported John Howard Griffin at least part of the way toward Alabama. Griffin had been living as a Black man in New Orleans and Hattiesburg for nearly two weeks.

He had taken a prescription drug, exposed his skin to an ultraviolet lamp for days and touched up his appearance with darkening cream in order to pass as a Black writer in the South. But he did not see himself as passing for Black; he understood his transformation as “passing over” to a life lived among Black people in the South. Griffin’s “passing over” succeeded. He was deemed Black by all those he encountered—whatever their race.

On the road to Mobile, Griffin soon was aghast and then wearied by white male drivers who constantly peppered him with puerile questions about the sexual activity of Black men. The conversation had many registers, but it had the same content: sexual deviancy and fantasy. One driver goaded Griffin continuously, even quoting Alfred Kinsey and asinine anthropological claims about black men and sex. Griffin’s account of the exchange is exceedingly insightful. More important, it reveals more about Griffin himself than the seemingly intelligent driver who was stuck in a morass of racist sexual fantasy and stereotype. Of the driver, Griffin writes:
It became apparent he was one of those young men who possesses an impressive store of facts, but no truths. This again would have no significance and would be unworthy of note except for one thing: I have talked with such men many times as a white and they never show the glow of prurience he revealed. The significance lay in the fact that my blackness and his concepts of what my blackness implied allowed him to expose himself in this manner. He saw the Negro as a different species. He saw me as something akin to an animal in that he felt no need to maintain his sense of human dignity, though he certainly would have denied this.

By this point, I would imagine readers and participants in the Catholic Book Club will have become deeply uncomfortable with Griffin, his project and the way he writes about it. In this passage, the phrase “my blackness” must seem particularly jarring to the reader. It was indeed so to me. Griffin was not Black; he took on Blackness in a dangerous way and tried to insert himself in Black life in the Deep South. However—and this is an important however—John Howard Griffin did this because he knew that he did not possess the truth. He was painfully aware that he had not even an inkling of the truth regarding the daily life of Black people in the Deep South in 1959.

He possessed some truths about justice, some facts about the furious violence enacted on Blacks in the South, and he was hungry for a fuller truth. His hunger hounded him so much that he was insistent in carrying out this project, even to the point of death. Griffin’s unquestionable sincerity, sensitivity to justice and humility in the face of the truth of the experience of Blacks in the South should be enough for us to hear his story with an open mind and reflect on the profound but partial truths that he discovered in his temporary Blackness. Griffin seems utterly oriented toward truth, which, I think, is a meaningful way for a human being to live.

There is so much to discuss in this rather short book. I offer an extended set of questions below—the most I have ever offered for an introduction to a book. But before I get to those questions, I find one further aspect of Griffin’s account compelling and absolutely central to his account. John Howard Griffin was a husband and father of three young children when he took up this project, and, I think, his deepest insights around the reality of life in the South emerge in his reflections about parenthood.

An important reflection on parenthood occurs immediately after Griffin leaves the puerile conversation detailed above and seeks a bit of rest alone on the highway. The next driver who picked him up was a stolid white man, a construction worker in his early 20s. Oddly enough, the young man’s demeanor put the Black John Howard Griffin at ease. The young man is happy, utterly open, guileless, sincere, thoughtful and without a hint of prejudice—either explicit or implicit. The driver is reminiscent of the peasant in Tolstoy’s War and Peace, Platon Karataev, who helps Pierre Bezukhov regain his humanity after Pierre was nearly executed by retreating French soldiers. Griffin’s driver, like Platon, is profoundly human. Griffin begins to understand that this enlightened white man’s lack of prejudice comes not from any education or upbringing or family connection, but, Griffin surmises, from this young man’s love for his young child. Griffin writes:
I could only conclude that his attitude came from an overwhelming love for his child, so profound it spilled over to all humanity. I knew that he was totally unaware of its ability to cure men; of the blessing it could be to someone like me after having been exhausted and scraped raw in my heart by others this rainy Alabama night.
I thought of Maritain’s conclusion that the only solution to the problems of man is the return of charity (in the old embracing sense of caritas, not in the stingy literal sense it has assumed in our days) and metaphysics. Or, more simply, the maxim of St. Augustine: “Love, and then do what you will.”

A few days later, after an even more crude and more suggestively violent ride at the hands of a white driver, Griffin is given shelter by a Black family somewhere in the swamps between Mobile and Montgomery. Sharing a hovel with parents and their six children, Griffin is overwhelmed both by the generosity of his hosts and the nature of their grinding poverty. After the entire family drifts off to sleep on the floor around Griffin, he is compelled to go outside into the dark swamp and weep with sadness and deeper realization—a step closer to a fuller truth. Alone in the swamp just outside where the family slept, Griffin ponders the following:
I thought of my daughter, Susie, and of her fifth birthday today, the candles, the cake and party dress; and of my sons in their best suits. They slept now in clean beds in a warm house while their father, a bald-headed old Negro, sat in the swamps and wept, holding it in so he would not awaken the Negro children.... It was thrown in my face. I saw it not as a white man and not as a Negro, but as a human parent. Their children resembled mine in all ways except the superficial one of skin color, as indeed they resembled all children of all human beings. Yet this accident, this least important of all qualities, the skin pigment, marked them for inferior status. It became fully terrifying when I realized that if my skin were permanently black, [whites] would unhesitatingly consign my own children to this bean [sic.: poor, narrow] future.

John Howard Griffin’s realizations seem to culminate in this notion of parental love and the injustice enacted against Black people in the United States. Not only was there an intricate web of injustice and suffering constricting the existence of Black men and women in the South (and, perhaps, throughout all of the United States), such suffering also permeated the way Black people loved as parents: Those whom they love, those whom they have brought into the world, are consigned to share in the suffering that the parents have already undertaken—and they are totally unable to staunch such suffering in their children.

There is further suffering in such a realization—such suffering that can only begin to be depicted by a novel like Toni Morrison’s Beloved and an author writing directly from her Black experience. Though his book published in 1961, does not have the artistic profundity of a Morrison novel, Griffin’s Black Like Me offers a deeply thoughtful depiction of the truth of the Black experience in the South in the late 1950s and early ’60s from the perspective of a middle-aged white man. I encourage all participants in the Catholic Book Club to give it a read.